loving and flowing



music. honesty. performing. eating. laughing. reading. listening. friends. family. photography. dance. reading. talking. walking. yoga. meditation. faith. hope. optimism. kindness.

loving. flowing. living.


I've got a good thing going here; this thing called my life.


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blackpoemusic:

Beloved,In what other lives or landsHave I known your lipsYour HandsYour Laughter braveIrreverent.Those sweet excesses thatI do adore.What surety is thereThat we will meet again,On other worlds someFuture time undated.I defy my body’s haste.Without the promiseOf one more sweet encounterI will not deign to die.
Refusal by Maya Angelou

blackpoemusic:

Beloved,
In what other lives or lands
Have I known your lips
Your Hands
Your Laughter brave
Irreverent.
Those sweet excesses that
I do adore.
What surety is there
That we will meet again,
On other worlds some
Future time undated.
I defy my body’s haste.
Without the promise
Of one more sweet encounter
I will not deign to die.

Refusal by Maya Angelou

31 notes / Sunday, June 16, 2013 / 3:02 am

Solomon Sebothoma: In and Out of Time.. by Maya Angelou
 

solomonsebothoma:

In and out of time…
The sun has come
The mists have gone
We see in the distance our long way home
I was always yours to have
You were always mine
We have loved each other in and out of time
When the first stone looked up at the blazing sun
And the first tree struggled up from the…

2 notes / Sunday, June 16, 2013 / 3:01 am

7 notes / Sunday, June 16, 2013 / 2:59 am

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.


Still I rise (via truth-love-and-realness)
5 notes / Sunday, June 16, 2013 / 2:59 am

Courtney's Poetry: I know why the Caged Bird Sings
 

endless-poetry:

The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are…

2 notes / Sunday, June 16, 2013 / 2:58 am

Success is liking yourself, liking what you do, and liking how you do it.

Maya Angelou (via countryfried)
6 notes / Sunday, June 16, 2013 / 2:57 am

smoothmidnightmaurader:

Maya Angelou

smoothmidnightmaurader:

Maya Angelou

15 notes / Sunday, June 16, 2013 / 2:56 am

3 notes / Sunday, June 16, 2013 / 2:56 am

It is sad but true that sometimes we need the tragedy to help us to see how human we are and how we are more alike than we are different.

Maya Angelou

(via jmaisonlilhouse)

12 notes / Sunday, June 16, 2013 / 2:56 am

I write in the morning and then go home about midday and take a shower, because writing, as you know, is very hard work, so you have to do a double ablution. Then I go out and shop — I’m a serious cook — and pretend to be normal. I play sane — Good morning! Fine, thank you. And you? And I go home. I prepare dinner for myself and if I have houseguests, I do the candles and the pretty music and all that. Then after all the dishes are moved away I read what I wrote that morning. And more often than not if I’ve done nine pages I may be able to save two and a half or three. That’s the cruelest time you know, to really admit that it doesn’t work. And to blue pencil it. When I finish maybe fifty pages and read them — fifty acceptable pages — it’s not too bad. I’ve had the same editor since 1967. Many times he has said to me over the years or asked me, Why would you use a semicolon instead of a colon? And many times over the years I have said to him things like: I will never speak to you again. Forever. Goodbye. That is it. Thank you very much. And I leave. Then I read the piece and I think of his suggestions. I send him a telegram that says, OK, so you’re right. So what? Don’t ever mention this to me again. If you do, I will never speak to you again. About two years ago I was visiting him and his wife in the Hamptons. I was at the end of a dining room table with a sit-down dinner of about fourteen people. Way at the end I said to someone, I sent him telegrams over the years. From the other end of the table he said, And I’ve kept every one! Brute! But the editing, one’s own editing, before the editor sees it, is the most important.

Maya Angelou, on writing and routine (Paris Review, 1990) (via)
13 notes / Sunday, June 16, 2013 / 2:55 am